RCA Living Stereo Vinyl Comparison - Sibelius / Gibson / LSO
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Exploring the RCA Living Stereo: LSC 2405 – Sibelius's Symphony No. 5 and the Karelia Suite
This very special record from the RCA Living Stereo series, LSC 2405, featuring the London Symphony Orchestra under the baton of Alexander Gibson performing Sibelius’s Symphony No. 5 and the Karelia Suite. This album, released as part of a unique collaboration between RCA and Decca, holds a special place in the world of audiophiles and collectors.
The History Behind the Record
This recording is part of an exclusive deal between RCA and Decca. RCA was tasked with recording European orchestras and artists, releasing them through its Living Stereo series. This collaboration lasted until the mid-'70s, when Decca regained the rights to release these recordings under their own series, including Stereo Treasury and World of Classics. In the original batch of RCA Living Stereo releases, there are twelve noteworthy titles that came from this partnership, including some beloved classics like The Royal Ballet Gala and Witches Brew.
Pressing Variations: A Collector’s Journey
I own four versions of this particular release, and each offers a slightly different experience. The pressings I have are:
The Original 1S 1S Pressing (RCA Indianapolis) – This is the cherished original, known for its tube mastering and remarkable sound.
The London Stereo Treasury Pressing (UK) – Released in the US as part of the Stereo Treasury series, this pressing offers a more modern sound compared to the original.
Classic Records Bernie Grundman Cut (33 RPM) – A more recent reissue, cut by Bernie Grundman, often subject to mixed opinions due to its modern, revealing sound.
Analogue Productions (AP) Reissue – The latest reissue, with mastering by William McKee, blending vintage warmth with modern clarity.
Let’s take a closer look at each version.
The Original 1S 1S Pressing
The original shaded dog label pressing, released by RCA Indianapolis, is widely regarded as the holy grail for audiophiles. The first pressings of this album are known for their distinct sound, which cannot be replicated today due to the unique tube mastering techniques used back in 1960. This version features the airy string tone that Living Stereo aficionados adore, with an almost magical quality in the second movement. The lush, delicate string tones stand out, particularly in the Karelia Suite, delivering a sense of warmth and richness that is impossible to duplicate in more modern pressings. If you come across a good condition 1S 1S pressing, it’s worth grabbing, especially if you’re a fan of vintage sound.
The London Stereo Treasury Pressing
Released in 1975, the London Stereo Treasury pressing offers a more modern take on the recording. This pressing, created with more contemporary equipment, still retains much of the original character, though it lacks the delicate tube glow of the first pressings. The sound is clearer and a bit more controlled, making it a great option for those looking for a more balanced version of the album at an affordable price. It doesn’t quite have the lushness of the original, but it's a very good choice for those looking to enjoy this classic for a fraction of the cost of the original.
Bernie Grundman’s Classic Records Cut
This version, cut by Bernie Grundman for Classic Records, is a more recent release and has sparked some debate. Some audiophiles find it too revealing, with a more modern sound that doesn’t quite capture the warmth of the original. The dynamic range is certainly more expansive, with deeper bass and more clarity in the upper mid-range and treble. However, the string tones can come across as a bit harsh, losing some of the delicate beauty present in the original pressing. It’s a great choice if you want to hear more of the details in the recording, but it may not offer the same emotional resonance that the original does.
The Analogue Productions (AP) Reissue
The Analogue Productions reissue, mastered by William McKee, is a modern re-release that strikes a fine balance between the vintage warmth of the original and the clarity of more recent pressings. It’s a solid, very well-done reissue that stands as a testament to the art of analog mastering. McKee’s work here presents the best of both worlds—keeping the delicate airiness and string warmth of the original while avoiding some of the harshness found in the Classic Records cut. This pressing is a great choice for those looking for a more modern sound that still retains the spirit of the original recording.
Which Version Is Best?
In my opinion, the ranking of these pressings goes as follows:
The Original 1S 1S Pressing – The definitive version, with the warm, rich sound that makes Living Stereo so beloved.
The AP Reissue – A close second, this version strikes a good balance between vintage warmth and modern clarity.
The London Stereo Treasury Pressing – A great option for those on a budget, with a more modern, controlled sound.
The Classic Records Pressing – While technically impressive, it loses some of the emotional depth found in the original pressings.
While I don’t necessarily need four copies of this record, each one brings something unique to the table. The original 1S 1S pressing is the true treasure, but the others offer excellent alternatives at varying price points.
A Timeless Classic
Symphony No. 5 by Sibelius is not necessarily a “hummable” symphony, but it is undeniably captivating. The intricate orchestration and beautiful soundscapes will keep you riveted, even if you’re not humming the tunes afterward. It’s a perfect example of what makes Living Stereo releases so special: stunning sound and evocative music that draws you in without ever needing to be catchy.
If you haven’t yet experienced this recording, I highly recommend seeking out a copy, whether it’s the original 1S 1S pressing or one of the other excellent reissues. You’ll find something here for every taste, and each pressing has its unique charm. This is one of those classic albums that any serious vinyl collector or audiophile should have in their collection.
